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2024 Spring

BODIES OF MODERNISM - LIT401/LIT601 Spring 2024


Course
Einat Adar
For information about registration please contact our admissions.

Lessons

Here is the course outline:

1. Introduction

Feb 6

Modernity & Modernism and the mind-body problem

2. Impressionism

Feb 13

The impressionistic style and its shortcircuiting by the opacity of black bodies in Conrad’s classic novella.

3. The ethnographic gaze

Feb 20

Early documentary attempts to lay claim to the ‘authenticity’ of native communities by staging their bodies for the camera.

4. Stream of Consciousness

Feb 27

Follows Manfield’s treatment of marginalised native bodies through the famous modernist technique of stream of consciousness.

5. The divided body

Mar 5

The investigation of the dual identities of African and American in black bodies in the Harlem Renaissance poetry.

6. Multiplying identities

Mar 12

Black women’s bodies the site of multiple axes of discrimination and the search for bodily pleasure and spiritual liberation.

7. Body magic in the cinema

Mar 19

Cross-dressing in early cinema as a source of entertainment as well as a coded representation of queer identities.

8. Mid-term break

Mar 26

9. Gender bender

Apr 2

Woolf’s early challenge to the gender binary and the situatedness of sexual idenity.

10. The human animal

Apr 9

Djuna Barnes’ remarkable novel of Lesbian love in the night world of 1930s Paris.

11. Bodies in war

Apr 16

The conflicted masculinity of male bodies disabled by the war as see through D.H. Lawrence’s celebration of vitality

12. James Joyce’s Ulysses

Apr 23

: ‘Deviant’ pleasure and the ‘deviant’ body in the celebrated work of James Joyce.

13. Body as metaphor

Apr 30

Questioning the workings of power hierarchies through the metaphor and reality of presenting blindness on the theatre stage.

14. A Community of the Disabled

May 7

Early cinema was fascinated with disabled bodies objectified through the horrified lens of the ‘freak show’. This film employs a similar setup to humanise and empower disabled characters.

15. Conclusion

May 14

The challenge for art in the 20th century

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